Ouspensky and The Bourne Identity
The Bourne Identity
I finally got around to see the film The Bourned Identity after a curious experience of twice seeing the opening on TV as I was falling asleep.
It tweaked my curiosity, for a reason that at first escaped me. I never read thrillers, or go to see movies of such, but this film, or its opening seemed to have a remarkable symbolism.
This was confirmed by the film as a whole. On the surface the title, the ‘Bourne’ (born!) identity, and the opening with a near death experience at sea are good examples of the writer’s unconscious symbolism associations at work. Such things are very frequent in writers, but in this case the arrangement of pieces is remarkable (whatever one thinks of the Hollywood aspects)
Further the film is unusual in being a testament to the revolt against identity created by a social framework, and includes the attempt to remember the past identity involved.
I suddenly realized the unconscious attraction in me: the resemblance to the case of Ouspensky, or his reincarnation, a man who is trying to escape a previous identity in an ‘esoteric’ (‘intelligence agency’) after refusing a criminal mission.
More on this another time, but many have failed to see the ambiguity of Ouspensky, and the way he turned against the ‘company’.